I inherited two Bauhaus style chairs from my late grandfather, who had a great eye for design and a passion for quality. The chairs were originally upholstered in deco green leather, but I’ve recently upholstered them in a zebra print ”Le Zebre” from Brunchwig & Fils. This handprinted linen fabric goes well with the streamlined design and the chrome finish. Using animal pattern was popular in the 1920s when the chairs were originally made (Le Corbusier’s Chaise Longue was covered in cowhide). It is remarkable to think that these chairs are nearly 100 years old and still look so contemporary.
Dreaming back to the magnificent Bar Palladio in Jaipur where Italy meets India. Here owner Barbara Miolini and designer Marie-Anne Oudejans have created a fairytale environment with tented garden seating, turquoise floral murals and delicious textiles. It is the Italian take on India (think Harry’s Bar meets a maharaja’s palace), taken from a picture book from yesteryear. I am a huge admirer of this eclectic style and of Indian handicraft so was totally mesmerised.
When we moved to Barnes, I felt I had come home. I left Sweden 20 years ago to get away from the small village I grew up in, yet always felt slightly homesick and proud when I thought about my beloved Lyckorna. In Barnes, I found a village, in London, a home away from home. I know we’ve been here just for 6 months, but it feels like longer. It’s like when you meet The One; like you’ve been together for ages and it’s meant to be.
Beaverbrook Hotel is the stunning country residence of the press magnate Lord Beaverbrook. This boutique hotel has all the trademarks of classic British interiors (plenty of chintz, cozy armchairs, grand entrances), but without feeling dusty or stuffy. Interior Designer Susie Atkinson (Soho House) has captured the glamorous era of the 1930s with plenty of florals, lavish textiles and lots of beautiful detail. I am in love with the African appliqué pouffe in the library – it is such an interesting way to break up a very traditional interior and giving it a modern twist.
I love setting the table, and am a firm believer that you eat with your eyes as well as with your stomach. As always, I like to create a look by combining items I think look pretty together. Last year I combined a cheap Zara table cloth with Oka napkins (bought in sale for £5), glassware from Orrefors (The Nobel Dinner range), crockery from IItala and vintage cutlery that I bought in Portobello Market. The tulips came from Borough Market and the rosemary from the garden.
When we moved into our new house, I decided to invest in new Christmas decorations. Over the last few months I’ve hunted down the perfect baubles which come from The Conran Shop, Liberty of London, National Trust, TK Maxx and Marks & Spencer. The Swedish Yule goat underneath the tree from IKEA (old). The tree is finished off with bunches of Baby’s Breath – a more natural and elegant alternative to tinsel.
I also invested in a mini tinsel tree from Petersham Nurseries. I used to have one of these when I was a little girl and couldn’t resist getting one for my son! The lanterns also come from Petersham Nurseries and the silver bowl is a 1960s vintage piece from Orrefors of Sweden.
This year I’m matching our new front door in Farrow & Ball Black Blue with a simple green wreath, made from holly, ivy, rosemary and eucalyptus branches. It is an homage to the original owners of the house, who made their living from a smallholding, selling fruit and herbs to wealthy Chelsea residents across the river. And it also matches the modern, shiny chrome door furniture.
Making a wreath is simple – all you need is a few twigs and branches, garden wire and a bit of patience.
Some pictures from a visit at Petersham Nurseries last week.
A bunch of fresh flowers can really transform a room. I like keeping blooms seasonal – cabbage style flowers paired with eucalyptus branches and rust coloured hydrangea look good on the kitchen table this time of year.
Trivet from Svenskt Tenn.
When it comes to interior design, I like mixing it up. I don’t believe you have to stick to one particular ‘era’ or ‘style’. The bay window of our 1850s cottage is adorned with Verner Panthon’s famous Flowerpot light (designed in 1969), some tea light holders from Petersham Nurseries and a planter from Kew Gardens. The screen in the background is designed by Swedish designer Margot Barabolo.